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Composer Publisher Agreement
"I need a Composer Publisher Agreement for a German electronic music producer who wants to grant worldwide rights to their upcoming album and back catalogue, including co-publishing arrangements with a US publisher, starting March 2025."
1. Parties: Identification of the composer and the music publisher, including full legal names, addresses, and any relevant registration numbers
2. Background: Context of the agreement, including the composer's profession and the publisher's business activities
3. Definitions: Key terms including 'Musical Works', 'Publishing Rights', 'Territory', 'Net Income', and other relevant industry-specific terminology
4. Grant of Rights: Specific rights granted by the composer to the publisher, including reproduction, distribution, public performance, and adaptation rights
5. Term and Territory: Duration of the agreement and geographical scope of the rights granted
6. Delivery and Acceptance: Requirements for submission of works and the publisher's acceptance process
7. Publishing Obligations: Publisher's duties regarding exploitation, promotion, and administration of the works
8. Composer's Warranties: Composer's guarantees regarding ownership, originality, and freedom from third-party claims
9. Payment Terms: Royalty rates, advances, accounting periods, and payment mechanisms
10. Collecting Society Rights: Provisions regarding GEMA membership and rights administration
11. Moral Rights: Protection of the composer's moral rights under German law
12. Termination: Conditions and procedures for ending the agreement
13. Governing Law and Jurisdiction: Specification of German law application and jurisdiction for disputes
1. Co-Publishing Arrangements: Used when the publishing rights are shared with another publisher
2. Sub-Publishing: Include when contemplating appointment of sub-publishers in other territories
3. Minimum Commitment: When specifying a minimum number of works to be delivered
4. Exclusivity Provisions: When the composer agrees to publish exclusively with the publisher
5. Synchronization Rights: Specific provisions for use of works in audiovisual productions
6. Digital Exploitation: Specific terms for digital and online use of works
7. Creative Control: When the composer wants approval rights over certain uses
8. Assignment and Sub-Contracting: When either party may need to transfer rights or obligations
1. Schedule 1: Musical Works: List of existing works covered by the agreement
2. Schedule 2: Royalty Rates: Detailed breakdown of royalty percentages for different types of use
3. Schedule 3: Minimum Activity Requirements: Specific promotion and exploitation commitments by the publisher
4. Schedule 4: Accounting Procedures: Detailed procedures for royalty calculations and reporting
5. Schedule 5: Territories: Detailed list of countries where rights are granted
6. Appendix A: GEMA Membership Details: Information about collecting society arrangements
7. Appendix B: Approved Sub-Publishers: List of pre-approved sub-publishers if applicable
Authors
Music
Entertainment
Media
Publishing
Digital Content
Performing Arts
Broadcasting
Film and Television
Gaming
Legal
Publishing
Business Affairs
Copyright
Royalties
Artist & Repertoire
Licensing
Rights Administration
Creative
Contract Administration
Composer
Songwriter
Music Publisher
Publishing Director
Legal Counsel
Copyright Manager
Royalty Manager
Business Affairs Manager
A&R Director
Music Licensing Manager
Rights Administrator
Publishing Administrator
Creative Director
Contract Manager
Music Industry Consultant
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